FRAME Edition with Aimée Parrott
We’re pleased to announce a new edition with Aimée Parrott, launched to coincide with her solo exhibition at Broadway Gallery, Letchworth Garden City.
Juno’s Volute borrows its name from a species of large sea snail. Due to it’s deep water habitat the snail’s shell only washes up onto beaches after hurricanes or huge storms. The snail is named after the spiral (volute) of Juno, a Roman goddess known as a protector.
Juno's Volute is the second edition to be published by FRAME Editions - a series of collaborations between artist and framer in the tradition of artist's frames. It is a series of ten individual monotypes linked by process and form, overlaid with translucent washes of acrylic ink on glass. The frame has been designed to provide a structure for the various layers to interact.
The mono-printing process is both at the heart of this body of work and the inspiration for the inception of this project. Each piece begins as a drawing on copper plate which is transferred onto paper. Parrott then makes use of the faint trace that remains on the plate after the initial press. This ‘ghost image’ is variously reworked and reprinted, a process which gives the body of work an evolving seriality; the trace of the previous image lending itself to the inception of the next.
Forms echo through the works binding pieces to one another. The fluidity of the process creates a rhythm which reverberates throughout the collection and allows images to grow, fade, regenerate and feed back within a self-perpetuating framework.
About the work
Juno’s Volute
Monotype with watercolour on warm white 300 gsm Somerset paper
The editions are individual works which are part of a series
Dimensions: 488H x 391W x 40Dmm
Edition of 10 + 4AP
Numbered and signed on verso
Anti-reflective and UV protective glass
£960 (including VAT)
To buy this edition, please visit the shop part of our website, or contact editions@framelondon.com for more information.
About the artist
Aimée Parrott (b.1987, Brighton, England) is a visual artist who lives and works in London. Her practice spans painting, drawing, printmaking and sculpture. Upcoming Exhibitions include a solo presentation at Mackintosh Lane, London in 2021.
Parrott made her curatorial debut in 2019 with All That the Rain Promises and More... for Edinburgh Arts Festival, hosted by Arusha Gallery, Edinburgh. Recent exhibitions include: Gaia’s Kidney, solo presentation at Broadway Gallery, Letchworth, Studio at 4am, group show at Hastings Contemporary, 2020, Kate McMillan and Aimée Parrott,a two person booth at Zona Maco with Arusha Gallery, Mexico City, 2020. Blood, Sea, a solo show at Pippy Houldsworth in 2018, solo presentations at Trade Gallery, Nottingham and Recent Activity, Birmingham, 2018, Without moving a muscle, a group show curated by Daniel Lipp and David Noonan, Mackintosh Lane, 2017, 31 Women, a group show at Breese Little, 2017, Implicit Touch, group show at Stadgalerie Villa Dessauer, Bamburg, Germany 2017 and a solo presentation at Breese Little Gallery, London, 2016.
Parrott graduated from The Royal Academy Schools in 2014, she completed her degree at University College Falmouth with a BA Fine Art in 2009. Recent awards include the inaugural Dentons Prize in 2016, The Archie Sherman Scholarship 2011-14. Residencies include Villa Lena, Italy, 2020 (postponed) the Cill Rialaig Residency, Ireland, 2017 and The Artists League of New York in 2014.